Updating the site to let you know that I’ve started podcasting again with the animation news site Cartoon Brew! I’d done a few episodes with them before, and am returning with a bi-weekly news show. So please look forward to new episodes every other Friday, and listen to last week’s episode here.
As the month of October comes to an end, I can’t help but realize how quiet I have been on this site. My last post was about SIGGRAPH was in August! While I post pretty frequently on social media, that’s of course not the same as a full on post. But with work on my thesis film taking up all of my time–to the point that I am even behind on my vlog series on YouTube that documents it–I thought I’d briefly mention some other places to find me. And maybe to remind myself that while I can’t do as many of the things I want while in my final year of my MFA, that I still occasionally get to do and see wonderful things.
I wrote a post over at Cartoon Brew! While the post is about an event that already passed, I still wanted to document it here on Animation Complex as a small milestone for me and my love of writing about animation. Something, as I already complained about, don’t get to do as much. So this opportunity was even more of a treasure to have come in such a creatively controlled year.
To write this post, I got to interview two of the women who put on the event, and it was such a fun conversation for me just as a person let alone a interviewer with a goal in mind.
One of my dear friends, Monique, runs an animation blog called Simply Robotix. We met when we both worked as PA’s in Blue Sky Studios story department, and bonded over our love of animation, writing, and wanting to DO MORE. I am so, so blessed to have her friendship, and to have someone who is so supportive of me. I think there are times when people’s overlapping interests create friction between them, but that has never been the case. I want our sites to grow big and old together.
She interviewed me earlier this month, which you can read about here.
Two other things of hers I am excited about is her recent recap of Nickelodeon’s visit to SVA (which where I am working for my MFA and where she earned her BFA). I wasn’t able to attend the event, but her post more than covers things. Second is her Diverse Toons series, which is a panel series that’s being hosted in various places in NYC. You can read a recap of a past on hosted at SVA featuring Blue Sky artists here. A new series featuring all women (and all friends of mine!) is being held November 10th, so be sure to follow her for updates!
Action Film Autopsy Podcast
One of the first things I do when I move to a new town is get a library card and check out the kinds of classes and events the community there gets up to. A few years ago I moved to a new town and saw that there was a podcasting class. Despite already knowing the basics of it, I decided to go, figuring I’d meet interesting people and be motivated to start a new project. I never did that podcast (yet) but during that class, I built this entire site, detailing my progress to the class week by week. So I’ll always be grateful for that class.
The teacher, Mike, became a friend of mine, as did his wife Kai and another classmate who is BFFs with them, Ric. Ric is a writer who’s done it all. And the next thing he wanted to do was a podcast.
The Action Film Autopsy is a podcast dedicated to dissecting and discussing action films. Most episodes are amazing interviews with people who work in the industry–stunt coordinators, fight choreographers, etc. The podcast updates every other week, but he has a recap episode every couple months that are just film reviews, and I’ve been guest-hosting those with him for a while now. The podcast recently passed the 50 episode mark, and it’s been fun watching it grow and seeing Ric enjoy himself making it. And of course, getting to argue and debate on some episodes. Take a look through the back catalog and give it a listen! It’s also now on iTunes if that helps.
Ferdinand Bonus Features!
Another small one that I wanted to document on here for the sake of a MILESTONE! Look, Mom–I’m in a DVD!
The bonus features and I go way, way back. These were a large part of my early learning about film and animation and figuring out the path that I wanted for my career. I used to want the job (not knowing if it was a job or not) of making the bonus features, because I wanted others to learn about the behind-the-scenes. You could argue that that’s what I want this site to be, now that I’m over analyzing myself.
A co-worker sent this out a little while ago–the video is unlisted so I didn’t know it was posted online! I’ve seen this feature before as it’s on the Ferdinand Blu-ray, but now you all can see it.
I’m in there for a blip, a shot of me laughing, but the day we filmed this was so surreal and funny that I want to share. It was a roller coaster ride working on Ferdinand, which I detailed in a post, and this video just serves as a fun little reminder, almost like home movies.
Lastly, I’m going to be starting an email list so that anyone who wants to keep up to date with my posts can be notified. It won’t be anything too crazy. Probably a little email once every couple weeks or once a month even as school gets crazier. So if you are interested please sign up with the form here.
Thanks for reading!
Tyrus focuses on artist and Disney Legend Tyrus Wong, and is a remarkable and humble film directed by Pamela Tom. I initially came across this film when browsing Kickstarter and knew that animation fans would help her raise the funds for this incredible story to be told. Since then, the film has screened in many festivals. Under-credited and treated poorly at the time, this film serves as a much needed reminder of the struggles that even the most talented people of color faced in America while trying to have their own “American dream.”
The film aired on PBS last week, and will be streaming on their site until October 8th, 2017 under the PBS “American Masters” series. Under this umbrella, the screening now concludes with a new interview by former Pixar artists and founders of studio Tonko House, Dice Tsutsumi and Robert Kondo, as well as an excerpt from their 2014 Oscar-nominated short The Dam Keeper. I also recommend you check out the PBS site, as it contains lots of additional informative content.
Streaming For Free until October 8th!
Tyrus was a prolific artist across multiple mediums and industries, right up until his death last December, and I highly encourage you to learn about his life and let it inspire you to persist.
You can learn more about the film at its official website.
What a time to be alive and in love with animation. This year saw a record number of film qualify, and I know that we’ll just continue to see each year yield a larger pool of contenders. We’re seeing more diverse films, more innovation, bigger budgets, smaller budgets and a more global representation. Not saying that in previous years we weren’t, as indie films have been cracking the nominations a number of times in the award category’s sixteen-year history. That’s a whole other post I’m excited to dive into! But for now, let’s take a look at the 2017 Oscar nominations.
I have to be honest. I love the Oscars. But it’s also one of my biggest pet peeves as an animation fan. There have been a lot of debates about the validity of the animation categories, particularly feature animation, and how votes are cast. They have tried to fix this by adding more voting members, but one can’t help but continue to be a little cynical about it all. Again, I do enjoy watching the Oscars–for me personally, growing up, it was always a yearly motivation. It’s a very self-indulgent night for film. It also tends to be a fun night to poke fun at animation, either by having a comedian introduce the section with disparaging jokes, or have a director whose film is 95% VFX win and then thank everyone except for the artists who literally made it. It’s also been dominated by the same company for years, which, as the article I linked previously highlights, does have you asking questions. And that issue doesn’t just plague the Oscars, but rather every awards show. Even the Annie Awards–a show specifically for animation–has had its share of controversy in the past, and like the Oscars, have taken steps to remedy it, such as revamping the voting and adding an Independent Animated Feature category, a debatable move in itself.
Another thing that often irritates me during awards season is, sadly, the fans at times. I have had enough debates with animation fans of forums such as ASIFA-Hollywood president Jerry Beck’s Cartoon Research Facebook group to know that there are many self-proclaimed “Disney purists” out there who will blindly support the company. I think we’ve all seen that in some degree, whether someone says they loved the new Star Wars because they just love Star. And we are all very guilty of it too. I love Disney, but I’m not so blinded that I can’t criticize it.
I think the thing that frustrates me about these types of people is that their mind is made up before it even gives any other options a chance. Or even worse, they pick their clear winner without having actually seen all of the nominated films. That, in my mind, immediately invalidates your opinion. You can’t be a fully-informed voter if you are NOT fully informed. You can’t judge based on some of the information. You may have loved Moana, but perhaps The Red Turtle will blow you away. You can’t know that unless you see it. I remember sitting with friends after seeing Inside Out wondering how any Disney/Pixar film could top that, and then Zootopia came along and knocked me completely on my ass. I saw pictures for My Life as a Zucchini and didn’t know what to make of it at first, but gave it a try, only to realize that it was one of my favorite films–animation or otherwise–of the year.
Founded in 1997, the New York International Children’s Film Festival (NYICFF) has become a staple of the NYC animation scene. What started as a single weekend with a few screenings has blossomed into a massive, weeks long event featuring sold-out screenings of films both old and new, short and feature length, and animated and live-action, as well as workshops, Q&As with filmmakers, awards, and parties. They’ve just posted their full 2017 festival line-up, and I’m so excited for their animation offerings! I’ll be highlighting a few below.