The second episode of the podcast I’m producing for Cartoon Brew launched today!
I honestly had a lot of fun talking about the making of Scoob with the film’s director Tony Cervone and the anim supervisor Bill Haller.
Please give it a listen and let me know what you thought over on twitter! 😬
Talking to them reminded me a lot about many of the struggles Blue Sky Studios faced when working on The Peanuts Movie. While I hadn’t worked on the film early enough to experience it first hand, I remember learning about and seeing the various versions of Charlie Brown–the some times nightmare-inducing attempts at getting his look right, including attempts with eyeballs and pupils and what not. Like Tony said, they went around the world to get to Scooby, and I heard that, man.
It was a similar situation too, of having to adapt these beloved 2D properties to cg, and figuring out the animation style(s), and level of detail. Story is also a struggle for these older IPs too, in my opinion. Before these features, the stories had never been quite as long, or needed to be a big enough story to capture the attention of a 2016/2020 audience. The stakes had to be higher but still exist within this universe.
Like I say in the podcast, making a movie is an effort. It’s a damn miracle that any movie gets made, and I just love learning about the process.
This week, animation news site Cartoon Brew launched their new podcast.
I remember being a college student, checking Cartoon Brew daily, grasping for anything I could about this elusive industry, to being in the industry, understanding the news I was reading on a deeper level having gone through some of it myself. It was surreal when my first pieces went up on the site, and when I’ve gotten to go to amazing places for the site, because in every situation it’s been a chance for me to meet people excited about the work they do and me getting to share that.
It’s been chances for me to get to learn more about a thing I love, and I’m grateful.
We’re working to get on places like Apple Podcasts and Spotify.
The first episode is about the pandemic’s effects on the animation industry. It’s a LOT of info (and I know, I talk fast, it’s a very valid note!), and I’m sure there are people who are sick of hearing about it. I even wasn’t sure about it, but I also felt it would be weird to not acknowledge it. As a news site, this is literally the biggest story, and the longest, most widespread story. How could we not create this snapshot of this moment? This is the event people will refer back to during this time. I feel like when you’re a kid and you’re in history class, it all feels so aptly distant. This is one of the few times (and sadly none of them have ever been good) that I’ve felt I was living through history, that I knew this was a literal textbook moment.
So I took a snapshot.
And now, I can start taking more.
However long it lasts, I’m happy I could contribute to our understanding of this moment.
As the month of October comes to an end, I can’t help but realize how quiet I have been on this site. My last post was about SIGGRAPH was in August! While I post pretty frequently on social media, that’s of course not the same as a full on post. But with work on my thesis film taking up all of my time–to the point that I am even behind on my vlog series on YouTube that documents it–I thought I’d briefly mention some other places to find me. And maybe to remind myself that while I can’t do as many of the things I want while in my final year of my MFA, that I still occasionally get to do and see wonderful things.
I wrote a post over at Cartoon Brew! While the post is about an event that already passed, I still wanted to document it here on Animation Complex as a small milestone for me and my love of writing about animation. Something, as I already complained about, don’t get to do as much. So this opportunity was even more of a treasure to have come in such a creatively controlled year.
To write this post, I got to interview two of the women who put on the event, and it was such a fun conversation for me just as a person let alone a interviewer with a goal in mind.
One of my dear friends, Monique, runs an animation blog called Simply Robotix. We met when we both worked as PA’s in Blue Sky Studios story department, and bonded over our love of animation, writing, and wanting to DO MORE. I am so, so blessed to have her friendship, and to have someone who is so supportive of me. I think there are times when people’s overlapping interests create friction between them, but that has never been the case. I want our sites to grow big and old together.
She interviewed me earlier this month, which you can read about here.
Two other things of hers I am excited about is her recent recap of Nickelodeon’s visit to SVA (which where I am working for my MFA and where she earned her BFA). I wasn’t able to attend the event, but her post more than covers things. Second is her Diverse Toons series, which is a panel series that’s being hosted in various places in NYC. You can read a recap of a past on hosted at SVA featuring Blue Sky artists here. A new series featuring all women (and all friends of mine!) is being held November 10th, so be sure to follow her for updates!
Action Film Autopsy Podcast
One of the first things I do when I move to a new town is get a library card and check out the kinds of classes and events the community there gets up to. A few years ago I moved to a new town and saw that there was a podcasting class. Despite already knowing the basics of it, I decided to go, figuring I’d meet interesting people and be motivated to start a new project. I never did that podcast (yet) but during that class, I built this entire site, detailing my progress to the class week by week. So I’ll always be grateful for that class.
The teacher, Mike, became a friend of mine, as did his wife Kai and another classmate who is BFFs with them, Ric. Ric is a writer who’s done it all. And the next thing he wanted to do was a podcast.
The Action Film Autopsy is a podcast dedicated to dissecting and discussing action films. Most episodes are amazing interviews with people who work in the industry–stunt coordinators, fight choreographers, etc. The podcast updates every other week, but he has a recap episode every couple months that are just film reviews, and I’ve been guest-hosting those with him for a while now. The podcast recently passed the 50 episode mark, and it’s been fun watching it grow and seeing Ric enjoy himself making it. And of course, getting to argue and debate on some episodes. Take a look through the back catalog and give it a listen! It’s also now on iTunes if that helps.
Ferdinand Bonus Features!
Another small one that I wanted to document on here for the sake of a MILESTONE! Look, Mom–I’m in a DVD!
The bonus features and I go way, way back. These were a large part of my early learning about film and animation and figuring out the path that I wanted for my career. I used to want the job (not knowing if it was a job or not) of making the bonus features, because I wanted others to learn about the behind-the-scenes. You could argue that that’s what I want this site to be, now that I’m over analyzing myself.
A co-worker sent this out a little while ago–the video is unlisted so I didn’t know it was posted online! I’ve seen this feature before as it’s on the Ferdinand Blu-ray, but now you all can see it.
I’m in there for a blip, a shot of me laughing, but the day we filmed this was so surreal and funny that I want to share. It was a roller coaster ride working on Ferdinand, which I detailed in a post, and this video just serves as a fun little reminder, almost like home movies.
Lastly, I’m going to be starting an email list so that anyone who wants to keep up to date with my posts can be notified. It won’t be anything too crazy. Probably a little email once every couple weeks or once a month even as school gets crazier. So if you are interested please sign up with the form here.