My Experience with SIGGRAPH

As my various social media feeds update, I am continually reminded that another year is going by where I am not at SIGGRAPH. While the friends I’ve made from SIGGRAPH salt the wound with their photos of the beautiful waterfront Vancouver convention center, I am reminded that it’s my five year anniversary attending my first conference, and thusly, I want to share my experience with SIGGRAPH. It properly changed my life, and I am forever grateful to it and the people who give it life.

What’s a SIGGRAPH?

SIGGRAPH is a terrible acronym that stands for Special Interest Group in Computer GRAPHics. It’s–as stated–a special interest group from the larger organization ACM (Association for Computing Machinery) which is a giant computer club, a professional association if you want to get technical. SIGGRAPH focuses on computer graphics within that larger field. What started out largely as a very technical, academic conference for researchers has become a massive convention for students, professionals (technical, artistic and everyone in between), academics, and hobbyists alike. So how did I find it?

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Making an Animated Short Film Week 1

Making an Animated Short Film

So, this site has been very quiet. There’s always stuff cooking in the back kitchen, but only about 2% of it ever seems to make it to the front where you’re all sitting.

That number was about to drop from a dismal 2% down to 0% due to some life changes–I’m going back to school. Having gone through this challenge once before, I know that my time will be extremely limited. Even with lighter coursework this time around, and the lessons I’ve learned from both the first time I attempted this and the last four years of experience at my previous job, I know that this will be a very intense time.

To be completely frank with you, the last time this happened, I had a nervous breakdown in a sound-booth at 4am one day. I phoned my friends who were living in Asia (and therefore wide awake), hysterical. My friend in a lab next door, Allie, came around to check on me. The issue I’d been struggling to fix for the last two hours she was able to solve in 30 minutes. That was the straw that broke the camel’s back. She was so good at that type of thing–still is (we were lucky to have been co-workers these last 4 years!)–but I never seemed to improve, it never seemed to sink in. I think the intense two-year time line of the program was a large factor. I just needed more time for these concepts to sink in, plain and simple. I started attending part-time, and that helped immensely. Before I knew it though, I’d been offered a job I’d have been stupid to not take, and, with an admitted sigh of relief, I ended up having to drop the degree to work full-time.

But it never settled well with me that I didn’t finish. It wasn’t even about that program in particular, so much as getting that master’s degree. I like school. I have mixed feelings about it, the price mostly, but I’ve always been a fan of academia (or what it was intended for, at least). It’s not a perfect thing, but nothing is.

After leaving that program, I thought I’d never get a shot at it again. I’d made my peace, and even started considering OTHER programs, because lord knows I needed to drop another small fortune on school. But I’ve been given a rare opportunity to return to that program.

This fall, I’ll be returning to SVA, and I’ll be picking up the very first project I had pitched and worked on five years ago. I had some things done, but am mostly starting from scratch again with that same story inside me, getting a second wind.

And I had the crazy idea of documenting it all. It’s not going to be pretty. Ohhhh no, no, no. I expect tears, anxiety attacks, and teeny tiny victories here and there. I am hoping for a different experience this time, but I know that certain things are to be expected, for better or worse. Some people will and have already argued that I deserve and should build in some sort of work-life balance, and that just isn’t a thing when you’re making your thesis. It’s honestly a toxic culture, but one that yields results. I’m not saying I condone that environment, but it slowly boils down to a test of endurance. And I learned so much from that first time, I’m much more mentally prepared. I might not remember the particular skills I’ll need, but I have the knowledge and articulation now.

This first video pretty much just summarizes that all, providing the setup. Forty weeks! Can she do it? WHO KNOWS!

I am really sorry if you were interested in this site for all of the reasons I previously set this site up for. Like I said, I think I’d rather shift gears these next ten months rather than go another year without anything on here. And then I’ll shift back. Then I’ll get to do what I should have been doing all along–making videos that celebrate the history and industry of animation.

Please watch if you’d like. If you want to follow along, please feel free to subscribe to the YouTube channel, or sign up for emails whenever I post a new blog entry.

Thank you!

Ferdinand

Blue Sky Studios’ latest film, Ferdinand, based on the 1936 children’s book The Story of Ferdinand came out December 15th of last year. And today, we learned that it was nominated for an Academy Award! It’s not the first to be nominated, but it’s the first in a while. Ferd is Blue Sky Studios’ twelfth film, and the third one that I’ve worked on. This is the film at Blue Sky that I am most proud of having contributed to, mainly because it’s the one that I definitely contributed the most to, and because of who specifically on the film I was able to support. On Ferdinand, I worked in two departments as a production assistant (PA) where I helped manage those departments day-to-days. This won’t be a full post-mortem, or cover all of my feelings and thoughts, as I am 1) not allowed to discuss certain things 2) don’t feel that it’s my place to discuss certain things, but this is just my own little celebratory post.

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